bwv 1052造句

• Like the other harpsichord concertos, BWV 1052 is generally believed to be a transcription of a lost concerto composed in C鰐hen or Weimar.
• The definitive version BWV 1052 was recorded by Bach himself in the autograph manuscript of all eight harpsichord concertos BWV 1052 1058, made around 1738.
• Two movements of the cantata, the Sinfonia and the first movement, are related to Bach's Harpsichord Concerto in D minor, BWV 1052, which was possibly derived from a lost violin concerto.
• He abandoned the next entry BWV 1059 after only a few bars to begin setting down BWV 1052 with a far more comprehensive approach to recomposing the original than merely adapting the part of the melody instrument.
• As with BWV 1052, all the movements had previous incarnations in Leipzig cantatas written ten or more years prior to the 1738 or 1739 autograph manuscript, with the part of the melody instrument written for obbligato organ.
• Further arrangements by B醕anu like the Chaconne in d-minor BWV 1004 and the Concertos for Harpsichord, BWV 1052, 1054 and 1056 have been released on CD and also as music scores with the Norwegian edition, NORSK.
• There have been several reconstructions of the violin concerto; Ferdinand David made one in 1873; Robert Reitz in 1917; and Wilfried Fischer prepared one for Volume VII / 7 of the Neue Bach Ausgabe in 1970 based on BWV 1052.